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If you don't acknowledge differences, it's as bad as stereotyping or reducing someone.
Being American and being an outsider at the same time, it's a perspective I often bring to a character.
I go to Buzzfeed and 'Huff Po,' IMDB, 'Deadline.' And then I just Google myself, like 'Aasif Mandvi in a hat,' and see what comes up.
What's great about 'The Daily Show' is I can use satire and push the envelope. I couldn't do that anywhere else. Even if I was a journalist.
I've actually changed my view of Los Angeles. When I was younger, I hated it, because I thought it was fake and superficial. As I've gotten older, I've found that to be absolutely true, but I don't care.
That's the Indian in me - you must put spices on everything. As a kid, whenever we got sick, my mom would take milk and put turmeric in it. That was our medicine. That was the cure-all. Some people turn to Robitussin.
The average Indian doesn't care about Hollywood movies because they have far too many movies of their own to watch, to miss, and I hope a story like 'Million Dollar Arm,' that is actually about India and deals with these two Indian kids, resonates over there and makes people want to go and see the movie.
One thing I always did in my career was writing. I always was writing. I was trying to create things. For myself, for other people.
My family is Muslim. But I don't consider myself a very devout Muslim, but a cultural Muslim, whatever that means.
I worked with Ismail Merchant on 'The Mystic Masseur,' I did 'Sakina's Restaurant,' I've done plays, I've been on Broadway, I've done movies, I've done TV... but nothing has had the pop culture penetrative impact as 'The Daily Show' has. It's the nature of the beast.
They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.
When I got to Florida, I was a British kid, but I was also an Indian kid: a brown kid with an English accent. Talk about being an outsider. And that's become the theme of a lot of the stuff I write about.
I think I would like to see more roles for South Asian performers that are more inclusive and part of the American Diaspora, the American tapestry, perhaps the way that African American and Hispanic roles have developed.
In order to change the conversation about Muslims in American media, we need a diverse, unified movement of people who are willing to take a stand against anti-Muslim bias.
The pleasure from acting comes from having great writing to work with. If it's well written and the character is interesting, then, as an actor, that's the raw material I need.
The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.
I rarely went to the mosque, I never fasted, and I only prayed namaaz on the holy nights because my mom bugged me about it.
It is ironic that it doesn't matter how successful I am in any other capacity: ultimately, my parents' marker is 'Do you have a wife?' and 'Do you have children?'
When you're brown and Indian, you get offered a lot of doctor roles.
I've always said I'm the worst representative of Muslim-Americans that's ever existed, because I've been inside more bars than mosques.
I was born in India - but never really lived there.
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