On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we s….

If you can make the day, you can do whatever you want..

It becomes an extension of your imagination to make something tangible and concrete..

I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman..

I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly star….

As a fine artist I was drawn to composition and technique. I would count the cuts..

TV is all new to me because I came from features..

I went out to Bali, and I cast all of these supporting roles. I love that stuff. I just love actors. And then, Ryan Murphy asked me to direct second ….

Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are ….

The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his w….

There are the relationships you make. All of the friends I made in grad school are the closest ones that I have..

NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would g….

As a director who loves the camera you learn a lot..

I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of ….

It's a great asset to you, on your first film, to bring some people with you from the television world because they understand the speed that you hav….

I'm really grateful to Ryan Murphy for so much because he's fearless. He's so confident. He has a very unusual and unique way of seeing the world som….

I just wanted to make movies, but I never though about, "How am I being perceived because of my culture or my skin?".

To me film school was film history because there weren't a lot of books out there that I had access to..

Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move….

I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee..

I don't set out to do something weird, but if you see something a certain way and it's a little left of center, and you can realize it, that's a real….