My ambition is to construct a painting so that the whole of its surface is alive, however I look at it. Each mark, and the interval between each mark….

I'm trying to do something that is real. What I mean is this; my sense of being in the world starts with a physical relationship with my surroundings….

The paint has a skin to it, here taut and glossy, there wrinkled, abraded, scarred. It is pierced, abraded, scraped. A line drawn through it will go ….