You have to lean into the turn. On every creative aspect, you have to lean into what's working..

Any time you try to be edgy just for the sake of being edgy, that's the worst way..

If something's working, you lean into it. You don't fight it..

With showrunning, the more successful you get, the more you're pulled away from the writing..

One of the things I'm proud of is my ability to change directions if something's not working..

Fans can't ruin shows. Only creators can..

When you're on a staff, it's not your job to write what you think is funny. It's your job to write what the person who created the show thinks is fun….

I am done with the hour-long [true crime] shows: "She was a happy married wife. Everything was perfect. Until the trip to Aruba.".

I used to search and search for that actor or actress who's exactly what's in my head. But you have to realize you have to cast whoever's super talen….

It's a nightmare of editing. That's what I do all day..

Until I created my own shows, I had nothing but bad experiences on staffs..

By engaging someone for five minutes, you can make them a lifelong fan..

I never went after character payments. I'm pretty much terrible at naming characters, so I usually name them after people I know..

The only way to keep a show alive is to stay loyal to your fans and not betray them creatively or ignore them when it comes to extra content. I'm on ….

Part of walking the line as showrunner is trying to please people and still be true to what you believe creatively..

The writing is what's most important to me..

I'm done with the shows about "women got murdered by husband." My wife watches them constantly, but it makes me want to kill myself. They serve no pu….

In a landscape where a 2.8 [demo rating] keeps you on the air, you can maintain that just by treating your fans with respect..