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A lot of stuff I was reading in mythology was about how women used to be taught to be wild. The wild woman was an essence that existed in the world. We're still coming back from many years of us being chiseled out to be identical and quiet.

Laughter is the best way to get over something or get closer to something. It's one of the things I respect most about Amy Schumer. She's found a way to get us closer to ourselves and see the ugly side of humanity, but not in a way that's pointing a finger or that's angry. She does it in a way that makes us see the absurdity and laugh at it.

I think my mystery, or any person's mystery, is the thing that makes them most interesting. I try to be as conscious as possible of keeping that alive.

I've always felt like I've had the ability to choose which roles I was going to play. I don't think that the industry agreed with me, but I've always had a bit of a headstrong attitude of only doing the things that I really believe in and want to explore.

We lived in just a studio apartment with just a room and a bed that came out of the wall, and my mom couldn't afford even a Happy Meal. We ate Top Ramen. I had no toys, and I had, like, two shirts, a pair of jeans, and that was it. But I had my mom to myself, and I remember it being the coolest period of time. I loved it. I really loved it.

As much as I love acting, I just want to be a healthy person.

I find that the projects I enjoy signing up to at the moment are with a director who's interested in the script - isn't completely sure what the movie is and isn't concerned about it. He's just interested in going on the journey and discovering it.

I'm trying to find new ways to entertain myself because, if my whole world is doing interviews, I might as well put them in places I've wanted to see.

The cool thing about designers is they have very specific points of view, and because my inspiration is always changing, it's easy to go, 'This feels right.' But just because I wear fancy dresses on weekends doesn't mean in my heart of hearts I'm not a jeans and T-shirt person.

As I have had to meet different challenges, I realize I am coming into myself, and whatever I'm wearing is another chance for me to explore a new version of myself.

The thing I was always most protective of was my mystery. I worried that if I gave too much of myself, then I would limit the characters I could fall into.

The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.

I can't tell you how many times I quit only to realize that when the work has been your life, you don't really have a life without it.

We've all recognized the moment when the world has handed us a situation that is bigger than our youth can handle, and we have to grow up in a second. And when you do get to the other side, all it does is take us to this new level of existence that is more beautiful and more complex and, in some ways, more painful.

I won't do things for money. I can't. So I'll hold out and say, in my mind, 'There's a really cool diner down the street from my house. They make really good pancakes; I'd be happy doing that.'

Each step of the way, I'm learning. When I leave an interview, I learn whether I feel, 'Oh, that was nice,' or that made me feel like a little piece of me was taken.

When I was seven, I had been very vocal about wanting to be an actor. And my mom decided that we would try it out for a couple weeks and come to L.A. from Sacramento.

Maybe it goes away, but this is the way I've chosen to live: I want to go down or rise up as an artist. I don't want to get swept up in lipstick or whatever the hell.

I think it is the fact that I want to quit that keeps me going. It's very complicated. But I think part of this whole exploration with every job that I do is, in terms of overcoming fear and by overcoming the fear, I feel so much more complete, and I learn something new about myself.

I won't do things for money. I can't.

My identity was tangled up in the parts that I had played since I was a child. I would go through my closet and only see audition clothes: Brie looking older, Brie looking '60s, Brie looking '40s, Brie looking younger in the future.

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