Explore Quotes by Callie Khouri

I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.

I'm almost numb to misogyny at this point. It's just everywhere.

Movie studios are owned by giant corporations. They care about money; they don't care about movies.

There are so many screenwriters with incredible stories to tell, so I hope there will be some kind of shift in the business where very few types of movies are now made by the studios. There needs to be different budgets for different audiences; not everything having to be a huge opening weekend.

When I lived in Nashville, Tanya Tucker and people like that were coming up, and I'm sure that Loretta Lynn and Tammy Wynette were going, 'What's that noise? That's not country.' It's always been this battle where whoever comes up behind the reigning stars isn't country enough. There really is a lot more crossover now.

What I'm mainly interested in is not having women characters that have to be perfect, obviously. That's something I feel strongly about and have that in every single thing I've ever done.

I think of feminism as more of a political ideology.

I think this happens to a lot of people, men and women, where you reach a point in your life and all of a sudden realize that things have changed. You suddenly realize that people are coming up behind you, that maybe somebody might want to replace you for less money.

When people know I wrote 'Thelma and Louise,' they don't want to mess with me.

You're allowed to make things for women on television and there's not like... you don't have to go through the humiliation of having made something directed at women. There it's just accepted, whereas if it's a feature, it's like 'So, talk to me about chick flicks.'

For me, the movies I like are all independent. And getting an independent feature made, it's like you get down to the selling organs part, and it just loses some of its luster.

I didn't think of 'Thelma and Louise' as a feminist movie.

'Gravity' is a great example of a movie that we hope they're going to do more of. It's really entertaining, with a female star. It's not the kind of film you typically see, and gives me hope.

People always ask me about 'Girls' with this kind of hesitation. What do I think of it? I love it. It's awesome. I get a lot of Where do you come down on this? I come down on the side of 'Yay, Lena Dunham. Congratulations. I'm jealous.' She's doing something so fantastic. Maybe it's not for everybody, but it certainly is for me.

With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.

I'm not musical myself.

I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.

Nashville is the place where I first realized how impossible it is to look at someone and know what is inside them, what special something they possess.

One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.

I don't think any studio - it was a long shot at the time - but I don't think any studio in a million years would make 'Thelma and Louise' right now. But there's so many other kinds of movies they won't make right now.

The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring Andy Griffith and Patricia Neal. I first saw this movie, I guess I was in my early 20s. I'd never heard of it, and somebody told me about it, and I watched it and was just completely jaw-droppingly shocked at how current it was.