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From the ashes of Bauhaus, Love and Rockets transformed its grandiosity and excesses into boldness and virtuosity. Plus, it wasn't afraid of a catchy hook or two.

I want to have a sense of openness and optimism, even if that means being open to things that are potentially dark.

I associate Taylor Swift with some pretty kinky stuff.

I felt like power meant that you had to be engaged in a certain kind of struggle by force of movement and battle - and that's very exhausting. Now, power is more about certainty and stillness and realizing that the infrastructures that we gather around and worship are the least powerful things.

In the early and mid 1990s, every musician I knew was obsessed with Helium. The 'Pirate Prude' EP and 'Pat's Trick' played on repeat at nearly every gathering I attended. And we didn't just listen to these records - we discussed them, the worlds they opened, novelistic and strange.

I get mad at myself when I get news from Twitter before I get it from a regular news source. Then I'm off to a bad start: getting the second-hand, filtered experience all day long.

So many things can be filtered through fandom - joy, compassion, love.

I like to connect with people through my work. That's my favorite way - meetings of the minds, fans at a show. Those are nice mediated ways of hanging out.

I've been trying to immerse myself in the narratives of other people. I try to not isolate myself as much. It is really hard. People that are sensitive, you just feel too porous sometimes. There's this inertia that sets in, and it's hard to get out of bed. I think knowing that other people go through it is really reassuring.

I read a lot; fiction and non-fiction are the mediums I find most edifying and inspiring. I watch movies and listen to music and take lots and lots of walks. Nature is a nice reset button for me, it's how I get a lot of thinking done.

For film and television, it's interesting how fans feel that their particular ways of manifesting their affections are the correct ones. It's not just about being a fan, it's about how you perform your fandom. That's always been interesting to me.

I really don't know what to do when my life is not chaotic.

I've never understood people who play up the artifice of music.

To really be tortured by a song, it needs to be more than just something you don't like or don't get; it has to make your skin crawl by getting under it. Strangely, that last clause could describe provocative or daring music, as well.

I have no desire to play music unless I need music.

It turns out I'm not very good at working with a traditional boss.

With Rock Band, you can play along to Black Sabbath or Nirvana and possibly find new ways of appreciating their artistry by being allowed to perform parallel to it. Rock Band puts you inside the guts of a song.

The value of kitsch exists in its novelty and in its connotations to more legitimate counterparts.

I don't think I would live outside of the Northwest. I think the quality of life in Portland is really good. People move from intense, high-powered jobs, and move to Portland, work half as much and live twice as good.

From dancing around to Michael Jackson and Madonna as a kid to having my mind blown by the first sounds of punk and indie rock, to getting to play my own songs and have people listen, music is what got me through.

I feel like I live a pretty quiet life. I like to focus on work and friends, and I love being in nature.

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