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All we really want is for no one to have a boring life, to be impressive, so we can be impressed. ~ on the friends we choose.

We have advantages. We have a cushion to fall back on. This is abundance. A luxury of place and time. Something rare and wonderful. It's almost historically unprecedented. We must do extraordinary things. We have to. It would be absurd not to.

My voice and movements are restricted by the things I own.

We are the bright new stars born of a screaming black hole, the nascent suns burst from the darkness, from the grasping void of space that folds and swallows--a darkness that would devour anyone not as strong as we. We are oddities, sideshows, talk show subjects. We capture everyone's imagination.

Still though, I think if you're not self-obsessed, you're probably boring.

Here I am Rock You Like a Hurricane.

Up there we see everything, Oakland to the left, El Cerrito and Richmond to the right, Marin forward, over the Bay, Berkeley below, all red rooftops and trees of cauliflower and columbine, shaped like rockets and explosions, all those people below us, with humbler views; we see the Bay Bridge, clunkety, the Richmond Bridge, straight, low, the Golden Gate, red toothpicks and string, the blue between, the blue above, the gleaming white Land of the Lost/Superman's North Pole Getaway magic crystals that are San Francisco.

And there is a chance that everything we did was incorrect, but stasis is itself criminal for those with the means to move, and the means to weave communion between people.

In all my life I'd never been approached this way, the car pulling up, the Where you going? It was something I wish had happened hundreds of times. I was a looker - someone who looked over at every car at every traffic light, hoping something would happen, and almost never finding anyone looking back - always everyone looking forwards, and every time I felt stupid. Why should people look at you? Why should they care?

3. There are bears and there are small dogs. Be strong like bear! If they take out your teeth, sit on the dogs. Bears always forget they can just sit on the dogs. Sit on the dogs.

To me any given story has its appropriate form. There might be some story I get involved with that's begging to be a graphic novel, so that will have to be that way.

Tim O'Brien's book about Vietnam, The Things They Carried, has won every award, is studied in college and is considered to be definitive. But it's fiction.

There are many Saudi women doctors, and there are many wealthy and powerful and well-educated Saudi women who circumvent the restrictions put upon them, quietly or otherwise.

The idea of 'Voice of Witness' is to let survivors and witnesses of human-rights abuses tell their story at length. It started with a course that I co-taught at U.C. Berkeley journalism school back in 2003.

I met a lot of great people in Saudi Arabia and I'd like to see them again. And I'd love to spend more time in the desert and in the mountains. I felt really at home there.

High school teachers who want to get reluctant readers turned around need to give the students some say in the reading list. Make it collaborative: The students will feel ownership, and everyone will dig in.

But there was something psychological happening there that was just a little bit different. And the other thing was, there was no stigma. Kids weren't going into the 'Center-for-Kids-That-Need-More-Help' or something like that. It was 826 Valencia.

There is travel and there are babies; everything else is drudgery and death.

The house is a factory.

Paper is a uniquely beautiful format, more so than the web, I think: you need to invest in the aesthetics.

It's so easy to print in the Midwest. You're saving months in shipping and customs, so we have started printing a number of books there.

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