Mi-yammi! The extraordinary city, with its Judeo-Cubano population, its mix of surgical-appliance and sex-fetishist obsessions, takes the American me….

The problem of criticism is not judgment but evocation - conveying the particular emotional and visual feel that the movie has..

Entertaining the reader is a good function..

Art talk is punk. Let the movie do your speaking for you..

Never throw fruit at someone who understands the theatrics of the situation better than you do..

The action comes at us through a buzz of nattering remarks..

The Nazis, for him, are merely available movie tropes--articulate monsters with a talent for sadism. By making the Americans cruel, too, he escapes t….

Crash is hyper-articulate and often breathtakingly intelligent and always brazenly alive. I think it's easily the strongest American film since Clint….

Trivial details have been summoned, in part, to make a satirical point about upper-middle-class marriage-that the whole thing can slip away between t….

The greatest all-around American film actor is James Stewart..

The director, Antoine Fuqua, relies on small details, which anchor the vigilante-as-saint myth in at least a minimal degree of reality..

You might learn as much about how to write by reading Shakespeare, Tolstoy, Wallace Stevens, Raymond Chandler, Saul Bellow, Paul Muldoon or a hundred….

Corporate irony not only ridicules the thing it is selling but the very act of selling it. In the process it disarms critics by making anyone who goe….