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I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues.
The first Latin music that blew my mind was bumba, which was a Puerto Rican beat.
In the late '70s, I had a band - the David Johansen band, for lack of a better name - and I started collecting, not records, but tapes from people I knew who had jump-blues records.
Most bands are commercial enterprises. But I'm not in one of those bands.
I mean, if you asked me what I'm going to be doing when I'm 85, I'd make a quick picture in my mind and, well, I'll be singing.
My father was a Norwegian tenor and my mother a New York Irish librarian.
We thought that's the way you were supposed to be if you were in a rock 'n' roll band. Flamboyant.
Sometimes when I hear my voice on tape, I'm like, 'Who is that horrible man?'
When I was a kid, I had some Charles Lloyd records.
Music is my love and to me acting is more mercenary. I don't pound the pavements for roles: if it happens, it happens. I hate that auditioning thing.
The stuff that I dig, it's usually got a soulful component to it. A singer that I really like. I might not understand the language that they're singing in, but I'm really communing with this person.
Sometimes I've found that by getting into a certain drag, or a certain feeling, you can cast off your mortal coil and really do something. I don't know if it's important, but it's something. It's entertainment.
You know, when you're making a record, you come up with 15, 20 songs. Then they start to fall by the wayside as your interest wanes. It's kind of like a process of elimination to determine which songs wind up on the record.
When you're a kid, you have this feeling like you're indestructible. Your mortality doesn't even occur to you. But as time goes by, you realize, 'I better cut this out or that out if I want to continue to exist.'
Playing music is the best thing in the world. It makes show business almost bearable.
You try things on in life. You wear them for a while, and you see what's next.
You know when you read that someone has to leave a show or a tour because they had 'nervous exhaustion'? Well, I had one of those and discovered that I was quite close to death. I always assumed that my lifestyle was going to take me at an early age, but when it was actually occurring I was, 'Not yet!' I pulled back.
I'm compelled to paint nearly every day. I just felt like making a painting, went out and bought paints and a canvas. Now it fulfills me creatively when I'm not doing music: it's something you can do by yourself and it's totally yours. It's a great adjunct to my life.
When I'm sleeping I do a lot of living.
Until I was six years old we lived in the projects, then my two brothers and three sisters and I moved to a three-bed that my mother's father built.
It's really a drag to do the same project over and over again.
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