And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public ju….

To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when ….

You know you can usually solve almost any problem, or you'll realize you can't, but usually you can solve almost any problem through some sort of tri….

Everyone is trying to do something that hasn't been done and that's a really good thing. You can only do so much with a story and some scripts don't ….

Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right ….

What you want to do is, you want to get away from people being afraid to show their work, which is the first thing, because they don't want to be sho….

But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a….

Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Becau….

And I also trust that there's more than one way to do something..

It's harder for me to work on a Forrest Gump kind of movie, where everything is invisible..

I've done enough of this that I can tell early on if it's going in the wrong direction or not..