I think the idea of embracing the process, creating something, no matter how thin it is, that you can call a starting point - whether it's a word or ….

It might be David Adjaye talking about how the structure of jazz music informs his architecture, it might be the musician Terry Riley talking about h….

You see someone like maybe William Eggleston. William doesn't even really talk about what he does; he just wants to make these images. He kind of hov….

I'm not a journalist; I'm probably a horrible interviewer. The one small thing I have is I'm curious, and I'm interested in who I'm with..

I really like the idea of banality and repetition being used to generate the image, which are simple and unobstructed and not captivated by compositi….

In sound design programs now, you can literally sculpt the sound on visual graphs. Sometimes the visual programs are even more interesting than the m….

When you make work, the concept is the basis for it; all choices of aesthetics or mediums come later..

I try to just put a blank stage in front of them, and say, "This is your space; you tell me where you're coming from and where you're going." At a ce….

I am fascinated by the indecisive moment and the peripheral view..

Our culture is just too comfortable in creating these kind of divisions between culture..

Divisions between culture is not this precious thing, it's just this dirty beehive with things moving around, creating accidents, and violence, and h….

The compartmentalizing is so severe, that we kind of lose track. When you sit down to dinner with friends, you're going to talk about everything, sha….

What The Source becomes, in a physical sense, is almost like this particle accelerator. There's all these different, discrete voices and ideas. If yo….