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You do have to be a bit careful with your voice. It is an instrument.

I get very frustrated by this term 'genre exercise.' I mean, what exactly is that? Genre is not really relevant when you are writing a song; hopefully you are doing it to explore something, to create something, and I don't agree that any of my albums are genre exercises.

It's what I do. I don't deserve any awards for this, it's just music. It's just writing songs. You sit down, you write a song, you record it. You tour and play the songs live, dress them up a bit differently, or dress them down.

Well, T Bone's had a remarkable career as a producer since the time that we first worked together. He was dividing his time between recording and producing when we first met, and touring. We toured together and we were great friends.

Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.

There are many critics who have an idealised version of where my strengths lie.

'Content' is a word that has never sat well with me. Like 'maturity'. They are two words I've never liked. I think they imply some sort of decay. A settling.

Obviously the people that I admired, like the Beatles, were really into rock'n'roll, but it was already a little past rock'n'roll when I started listening and making my own choices about music.

The Internet is overrated. It's much smaller an innovation than people think it is. I don't think it's changed the way anybody makes music.

My family calls me Declan. But most people call me E.C. I think it comes from my dad. It's an Irish convention. You usually call the first child by the initials.

I don't think I was ever particularly mean. I can certainly think of some idiotic exchanges I've had. I was accused of destroying pop music, like Wagner destroyed opera - a guy in Germany started ranting that at me.

You need a platform upon which to release an orchestral record, otherwise it's just going to be an obscurity.

Well, I've had a lot of different experiences in music over the years. And not everything you do can satisfy everybody's idealised version of you.

There was not a lot of rock n' roll in the house. Our parents didn't think it was very groovy, and I tend to agree with them. If you grew up with Charlie Parker, Bill Haley wasn't very hip.

You have to face the fact that I have no reputation as a composer; I have my reputation as a songwriter and a performer-and that opportunity came this summer, when I was invited to perform at the Lincoln Centre festival in New York... three nights.

Very similar experience happened last year when we released this album, North. It was on Deutsche Grammophon, it was very, very honest. It was the most honest record I've ever written.

I found with this record I had to really be strong-willed, because in the past I've tended to tinker and add a thing or take a thing away, and nearly always been wrong.

We're all just animals. That's all we are, and everything else is just an elaborate justification of our instincts. That's where music comes from. And romantic poetry. And bad novels.

Women hear rhythm differently than men.

Writing about music is like dancing about architecture - it's really a stupid thing to want to do.

Was it a millionaire who said, "Imagine no possessions"?

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