There was so much going on. I remember a very interesting dinner in the studio of [Robert] Rauschenberg. He had convinced Sidney Janis, Leo Castelli,….

I have very warm memories about New York, about the old times, mostly the '60s..

[Some people] put their work on the internet and check every day how many people look, how many people made contact, but I don't have internet, I don….

I have been very lucky, I have won prizes and I've even won the lottery..

I'd love to be considered a post-pop artist, but I love to have five or six different styles in every painting, just for the pleasure of the eye..

The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end, I had a big collage in the Pina….

In the exhibition at Galerie Perrotin, they have the Sarajevo painting - I think it's very good to nail down this story of Pol Pot and other people, ….

I lived on Fulton Street in an enormous studio - I needed a bicycle to get to the toilet, about half a mile between two streets - next to Wall Street..

Every five, six, seven, eight, 10 years I do a raisonné. When it's printed in the book, it's finished..

Things are forgotten so fast today. Even if 1,000 people are slaughtered, the next day you forget. There has to be new news every day..

I work on a political subject quite often, and the paintings, for me, are not finished until they're printed..