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In a play, the director is God, and I'm a great arguer. Rather boringly so, I think, about trying different things.
The problem men seem to have, and women, too, is that they have this very structured idea that we should find a partner and settle down and be, you know, faithful. And yet clearly this is really, really hard for anybody to do!
Every time we moved on, I joined a different class in a different school with different girls until, aged 13, my father had taken the decision to pull me out of school altogether. Everything I needed, he reasoned, could be found within the rich language of Shakespeare's plays at which, by then, I was something of an old hand.
I'm lucky in that I don't like sweet things at all. My father loved cakes to such a degree that he kept forcing them down my throat when I was little, and it put me off for life. He had terrible cholesterol, poor thing.
I am used to looking good. In a way, if I thought I looked like the back end of a bus, I probably wouldn't have done 'Strictly Come Dancing' and gone out there in public.
My father was my trainer, my teacher. He was closer to my sister in the sense that she adored him and he adored her. He was more like my pal. Because of the 13-year gap, I think by the time I came along, it wasn't a big deal. I wasn't spoilt or cherished, I was just put to work.
I don't think I've ever not had a dark side. But one of the wonderful reasons why you go into this business is that half your life you live in a fantasy, which is somebody else's life. It's actually a great release because you're not having to deal with the itty-bitty bits of life.
I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
It's difficult to say what attracts one person to another. It's always a combination, isn't it? I've always found people interesting because of the way they think, and a sense of humour is irresistible.
We take ourselves so seriously moment by moment, but India shows you a sense of eternity. You're one little ant on a hill. You're part of life, but you're not the whole thing.
I wouldn't trade anything for family time. To me, it is more important than everything else, and I have a very deep-rooted belief in it, which is influenced by my Jewish faith. That's a very great source of who I am and what I believe in.
I don't treasure things much - just people. And pets.
After making my stage debut aged nine as Macduff's small son in 'Macbeth,' I had played a number of parts, from 'Twelfth Night's Viola to 'The Merchant Of Venice's Portia'.
I don't take money seriously, so I can't keep any.
From the early days of the Raj, Shakespeare had been woven into the fabric of India's education, and my father understood that in a culture rich with storytelling and fantastical tales, Shakespeare's characters and storylines resonated in a powerful way.
I'm not very much of a foodie; I like small amounts of delicious things, but I've never overeaten - I'd much rather have a glass of wine.
I can be very difficult if people are not professional, or lazy - or the opposite, which is take themselves too seriously.
Looking back, I got the bed I wanted and I lay in it. I didn't want to go to America. If you want to join that world, you have to go and live there, and that was something I could not have done. I am very much about family. It doesn't matter where I live, but I feel very needful of my people around me. Besides, theatre is my first love.
My parents were very volatile but very loving. My father would get jealous if my mother looked at somebody. I used to be insanely jealous. It comes out of insecurity. It can come and go, but you get to the point in life where you don't have this raging jealousy and protectiveness about your world.
I love gentle, gorgeous classical music such as Mozart.
I think in the acting world you either manage that transition to older roles, or you stick with what you've always done and then discover nobody can bear you doing it as an older person.
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