The day you shoot something, everything changes. You still have the same overall vision and approach. You create a world that you're going to be true….

You're learning the whole time. Halfway through a movie, you've got a lot of ideas, a lot of things that maybe you've learned and that you then wish ….

You should never settle for what you think is just good. You should drive the editors and writers and everybody nuts until it's great. And if you don….

I'm married to an artist. I get a lot of inspiration from art, from the lighting in art, from the compositions in art, from the textures, and all of ….

Music in a movie might tell you about longing. It might tell you about fear. It might tell you any number of things, but it tells you something diffe….

Sometimes I use words to throw you from once scene to the other, and sometimes I use words to pull you from one scene to the other. You might not be ….

Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're see….

A movie is a diamond and suddenly someone is seeing this facet or that facet. No matter how good you think you are, there's stuff you're not seeing..

I like when I use music in film that it isn't just gilding the lily and it isn't telling you how to feel. It's giving you something, some other infor….