What I love about the filmmakers that I mentioned [Danny Boyle,Leo Carax], is that it's visual but it's also, you see that the characters are the mos….

I think digital. I think digital and I was terrified about it for a long time. But I think digital because it gives so much more freedom to work with….

Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the ener….

I asked Shia: who is the guy that terrifies you the most? And he said Mads. So it was somebody we both really wanted to work with. He's intimidating,….

I was so lucky to be working with amazing actors like Shia and Evan and James Buckley and Mads Mikkelsen and Rupert Grint and Til Schweiger and those….

I've been working with music videos and commercials, they are naturally very music driven and visual driven. So that feels like my natural element to….

When you see Paul Thomas Anderson's The Master and it's shot on film at 75mm it's...you know. It's hard to compare. But I still think that digital is….

I think I've always admired sort of dynamic filmmakers, which doesn't shy away from strong expressions. Which might be a little more theatrical at so….

What I've always loved about watching movies myself of course that's [Bas] Luhrmann. His Moulin Rouge! is incredible, his Romeo + Juliet. Wow. You kn….

When you're working with film and you hear that mag starting to roll and you know that there's thousands of dollars just spinning around, it's anothe….