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The whole Baja California peninsula is an energetic place, and it's incredibly alive.
There's no such thing as a specific authenticity to what Mexico is, because Mexico is incredibly complex and varied, and the food is completely different if you travel 50 kilometers. It just changes all the time.
Talent survives and remains while beauty is diluted.
In Latin America, you don't do things for the money because there is no money.
Comedy requires a lot of energy.
In general, I hate films that are overtly either very masculine or very feminine, you know? The same way that I don't like a war movie about soldiers smashing people's heads. But a chick flick I like would be Cassavetes' movies. 'A Woman Under the Influence,' 'Husbands.'
It is quite common to meet people that live a few kilometers away from Mexico and that have never been there. We need to revive on many levels an illustrious desire to get to know the world, to learn another language, to understand and create empathy with people that live a few kilometers away from us. It's never late to do this.
A person isn't born with the intelligence to be with someone special; you learn it, and you fail in the path of life, but you don't have to give up the chance to love.
In terms of work, obviously acting is such a job that is very in the flesh kind of thing. It's your work, but it's your life, in a way. You can get so mixed up.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
In English, I'm a little bit limited. I speak English as a second language, and that's a little limitation that I have to work around and I have to use it to my favor. So, yes, that's why I end up wanting to do more things in Latin America.
We all have a cross-gender character: Every woman has a man that they can play, and every man has a woman that they can play.
Music is really nothing if you think about it - it only becomes something when somebody listens to it. And then it becomes uncontrollable.
The world of classical music is so fascinating. It's a world that encompasses people from everywhere and erases the basic restraints of nationality; everyone is united by this common language of music.
I want to do work, but I also want to have a good time.
Migration is as natural as breathing, as eating, as sleeping. It is part of life, part of nature. So we have to find a way of establishing a proper kind of scenario for modern migration to exist. And when I say 'we,' I mean the world. We need to find ways of making that migration not forced.
The collective experience of watching a great film together in a room is a transcendent moment that will never die.
I was little there were times I wanted my parents to be normal. I wanted them to have a religion. I wanted them to have a job, like the parents of every other kid I went to school with.
I was brought up the Mexican way, where actors are paid very little and every part you take is an act of faith. If people respect that, then great.
My love is for acting not money, so I only take on roles that I find challenging, in stories I find interesting.
When it's good, cinema can be one of the most important things in a person's life. A film can be a catalyst for change. You witness this and it is an incredibly spiritual experience that I'd never lived before; well, maybe only in a football match.
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