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If I start mining for opinions on hundreds of websites that have fan forums, I'll be totally distorted in my view of myself. I'll lose myself in all that.
The first song that made me interested in music was 'Oh, Pretty Woman' by Roy Orbison. It was the guitar intro, that riff, that I really liked and made me listen in a different way.
I think, basically, the music industry is scattered and in a mess. I think you've got lots of people that are so-called 'experts' that have no idea where it's headed.
You spend most of your life working and trying to hone your craft, working on your chops, working on your writing, and you don't really think about accolades. Then you get a bit older and they start coming your way. It's a nice pat on the back.
Playing live is such a total visceral experience, and really, as a musician, you're trained from the beginning to be a live performer.
I think jamming is the way we begin to communicate. In the old days, people actually wrote notes on paper and sent them to each other. I guess that's how they jammed.
Certainly my personality, my sense of humor, my outlook on life was informed by the experiences of my parents and the stories they shared with me.
When I do a take, I very often try things that I haven't planned to try to see if I can pull it off.
Rock and Roll does have its limits as far as the aging process. You want to go out there and play while you're at your peak, right? I think that's encouraging us to keep going out on the road - to maximize the playing at the moment.
I think you just have to cross your fingers that there's enough artists out there that keep producing interesting work, and eventually it will form a kind of wave that will force people to pay attention to it.
Well, I've been lucky. I've never gotten a voice polyp. I've never gotten nodes. But I do get sick, usually every tour, and to varying degrees. Sometimes it's a sinusitis.
Live records of mine are very painful to listen to because you always think you can do it better. I don't think I have a single favorite one.
Something happens when you become an elder rock & roller and you're still functioning. People start to give you awards and recognize achievements. It's the life achievement period of your career.
When I usually go to my studio to work, I start with something that is going to take two minutes just to put some idea down and the next thing I know, ten hours have gone by and my family is screaming at me because they want me to come up to have dinner with them.
I was taking piano lessons with a very good piano instructor in Toronto, and I'm afraid due to my schedule and discipline, it kind of fell apart. One thing lead to another and I was unable to practice as much as I wanted to.
I like to be able to come and go as I please, and I don't really like having my face and name plastered around. I think it's a bit weird to have your name plastered on every page in a magazine, where in each case you're using a different piece of equipment.
My diet, my regime, the whole life I have on the road has always got that little bit of stress because I'm always afraid I'm going to get a cold. And it's just such a nightmare when you got a cold or an irritation and you have to do a show.
Live albums are very important for Rush, and they became sort of a closing chapter for us.
It's very rare - and it does happen on occasion - where I'll take a piece of lyric and I'll just sit down and purposefully craft that melody around that lyric because I think the lyric is the wellspring for the song, without question.
Music turned to digital, and suddenly you had the possibility to make things louder than loudest, which boggles the mind but it's true, and what you have are all kinds of different ways of distorting your music.
I was thrilled to support the Teenage Cancer Trust while celebrating the music of The Who - a band that changed my life.
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