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Whether the medium is ready for consumers is better judged by those consumers. I sometimes read online - but not often. The stigma is attached to pay scales. Much online publication is no pay or small pay.
Online publication is fine with me, in part because I hope to collect those stories later.
I don't think anyone is more intrinsically holy. People experience God in many ways; and it seems to me that God does what the rest of us do: He chooses the means that best gets His message across.
A youthful American voice isn't particularly challenging - I've been a young American, and they're all around me. I can walk from my house to Barrington High School.
He's not rewarding us by talking to us. He's talking to us because He has something to say to us directly, as opposed to the things He says to all humanity.
Ambiguity is necessary in some of my stories, not in all. In those, it certainly contributes to the richness of the story. I doubt that thematic closure is never attainable.
I have read only the first 'Harry Potter' book. I thought it excellent, perhaps the best thing written for older children since The Hobbit. I wish the books had been around when my kids were the right age for them.
Certain mystes aver that the real world has been constructed by the human mind, since our ways are governed by the artificial categories into which we place essentially undifferentiated things, things weaker than our words for them. We believe we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges.
My definition of good literature is that which can be read by an educated reader, and reread with increased pleasure.
Year followed struggling year for me, and all that time I read - I suppose few have ever read so. I began, as most young people do, by reading the books I enjoyed. But I found that narrowed my pleasure.
You seem to think that the only genuine existence evil can have is conscious existence - that no one is evil unless he admits it to himself. I disagree.
My whole life experience feeds into my writing. I think that must be true for every writer. Clearly the Army and combat were major influences; just the same, you need to understand that many of the writers we have now couldn't load a revolver.
Some writers say they cannot write in front of a window; many say they cannot function without almost perfect quiet. A writer with only two hours a day can write in the back of an open truck on the Interstate.
God is the nest we build together.
Do not start a story unless you have an ending in mind. You can change the story's ending if you wish, but you should always have a destination.
You do not characterize by telling the reader about the character. You do it by showing the character thinking, speaking and acting in a characteristic way. You simply show it and shut up.
I get a lot of people complaining about my ambiguity, often in cases which there is nothing ambigous at all. As far as I can see, people read it when they were half stoned and listening to the TV. Then they come back and say gee, it's impossible to figure out what's going on in a story.
I could speculate, but it would be just speculation and the kind of thing that you would get in with a science fiction story. And if I was doing a science fiction story then I would come up with what can go wrong with this system.
You never learn how to write a novel. You just learn how to write the novel that you're writing.
There is no limit to stupidity. - Space itself is said to be bounded by its own curvature, but stupidity continues beyond infinity.
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