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I always feel attacked when I'm asked about my painting.
I had always loved expressionist painting, like every European. In fact I admired it all the more because these were precisely the paintings despised by my father's generation.
I always work out of uncertainty but when a painting's finished it becomes a fixed idea, apparently a final statement. In time though, uncertainty returns.. your thought process goes on.
Unlike the expressionists, I have never been interested in renewing the world through the vehicle of art.
An object painted upside down is suitable for painting because it is unsuitable as an object.
I love my old paintings as postulates as fresh starting points but I have to destroy them. I have to make a new manifesto.
The reality is the picture, it is most certainly not in the picture.
I don't like things that can be reproduced. Wood isn't important in itself but rather in the fact that objects made in it are unique, simple, unpretentious.
I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
What counts most is finding new ways to get the world down in paint on my own terms.
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