You must feel an affinity for what you are photographing. You must be part of it, and yet remain sufficiently detached to see it objectively. Like wa….

I had no contact with my contemporaries in the photographic field, nor even knowledge of their work. So I was influenced by no-one and there were no ….

I may juggle the composition, as the strength of a picture is in the composition. Or I may play with the light. But I never interfere with the subjec….

It wasn't even a matter of what I was photographing, as what had happened to me in the process. When I discovered that I could look at the horror of ….