Birth: February 16, 1973
I wish I could free myself from making music that has a dancefloor-function, or at least try to focus more on all the other elements in music..
Working on my own vocals is something I've been avoiding. But, I'm constantly thinking of ways to be able to include my own vocals without getting em….
I think most good music has got some kind of crossover-potential. It feels nice to know that there are more people than those into dance-music that a….
I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit we….
Sometimes it's a struggle to make everything work. I usually work on music from nine in the morning until three in the afternoon. Then there are the ….
It's nice if you're making a regular pop or rock album and you get ten little songs. But I really try to make the album with one big story instead of….
I listen a lot to my own music when I'm in the process of making it. In the car, in the kitchen while making food, on my iPod when I go shopping, etc….
I always spend too much time on getting the details right. That's the problem with computers. They make it possible to change too much of the music a….
The importance of selecting music and sequencing songs - making one song merge into another song. In retrospect, those are the most important lessons….
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I di….
When I'm working on something and I get to the point where I feel it getting interesting, that's my reward..