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When 'Blade Runner' came out, and especially, even actually when 'Alien' came out, it kind of changed how all science fiction movies were designed after that. And that was a really great thing. Now we're watching a lot of movies that are Xeroxes of Xeroxes of Xeroxes of Xeroxes of 'Blade Runner.'

For me, I'm always hard on myself no matter what, so that's always a thing I have to deal with on a daily basis.

I don't think through anything I do. I just do it, and it's oftentimes landed me in huge amounts of trouble.

When I was a kid, I was obsessed with different planets in the solar system, and I used to create, for every single planet, a different alien race with a certain kind of pet, a certain kind of house, a certain kind of water system, and everything. I would draw these pictures. I had hundreds of these pictures in a box.

When I got hired to do 'Guardians,' it was the dream of a lifetime for me. This is what I've been working towards. I've always wanted to create a space adventure, and especially a space adventure with a raccoon. Now that I'm finally able to do it, I created exactly the movie I wanted to make.

There will be a 'Guardians 3,' that's for sure. We're trying to figure it out. I'm trying to figure out what I want to do. Really, that's all it is.

I love the attention and I hate the attention, you know? It's not always good for your soul.

I feel like I've kinda danced around telling the truest story I can for many years of my life. I've been a little distracted by trying to be shocking or edgy or cool or whatever, and by letting go of that and telling the truest story I can - even if it's about aliens and talking raccoons - it works.

Science fiction always has had strains of pessimism and optimism weaving through its historical development, sometimes one dominating and then the other, usually depending on the state of the world.

It's impossible not to constantly adjust the way you look at yourself.

I always like to think that I make movies that are like Nirvana songs. They have a slow verse, and then they pop into high gear, and then they go back into slow, and then they pop into high gear again.

I'm a little bit twisted, so what makes me laugh the hardest doesn't necessarily make other people laugh.

I like Jason Statham movies, like 'The Transporter' or whatever. I watch them all the time when they come on TV. Then I saw 'Crank,' and I couldn't believe how awesome it was.

I have a very strong imagination and have since I was a little kid. That is where a lot of my world comes from. It's like I'm off somewhere else. And I can have a problem in life because of that, because I'm always off in some other world thinking about something else. It's constant.

I saw 'Fifth Element' once when it first came out and never thought much of it.

My life isn't just one genre. It's a romance one minute, an action movie the next - it's actually rarely, rarely an action film, to be frank.

I love raccoons. I had a raccoon figurine collection as a kid, and I now have two movies with 'Ranger Rick' jokes in them. I love 'em. They come in my back yard all the time, and we just stare at each other like a couple of idiots.

When I write a screenplay - and I think it's one of the reasons why it was frustrating for me just to be a screenwriter - I'm not thinking of it in terms of words on a page; I'm thinking in terms of visual images - basically, a comic book. I'm thinking of it in a series of shots.

When I was a small child, I partially learned to read with comics, in particular with 'Scamp,' about the Lady and the Tramp's male child. That was the prime comic that made me fall in love with comics as a kid.

A lot of people die in my movies. So if you're in a few of my movies, you have a good chance of dying!

I have to say, I feel a weird sort of calling in filmmaking that I didn't feel with other things. I feel like there are things in life you want to do, and then things you are called to do, and hopefully you can allow yourself to want to do whatever you're called to do.

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