Explore Quotes by Jandy Nelson

Dreams change, yes, that makes sense, but I didn't know dreams could hide inside a person.

He's bent over the strings tuning his guitar with such passionate attention I almost feel I should look away but I can't. In fact I'm full on gawking wondering what it would be like to be cool and casual and fearless and passionate and so freaking alive just like he is- and for a split second I want to play with him. I want to disturb the birds. Later as he plays and plays as all the fog burns away I think he's right. That's exactly it- I am crazy sad and somewhere deep inside all I want is to fly.

I could step out of this sad life like it's an old sorry dress.

Who wants to know that the person you love and need the most can just vanish forever

I suddenly feel left out of a future that isn't even going to happen.

This is the secret I kept from you, Bails, from myself too: I think I liked that Mom was gone, that she could be anybody, anywhere, doing anything. I liked that she was our invention, a woman living on the last page of the story with only what we imagined spread out before her. I liked that she was ours, alone.

The. World. Is. Not. A. Safe. Place.

The architecture of my sister's thinking, now phantom. I fall down stairs that are nothing but air.

grief is a house where the chairs have forgotten how to hold us the mirrors how to reflect us the walls how to contain us grief is a house that disappears each time someone knocks at the door or rings the bell a house that blows into the air at the slightest gust that buries itself deep in the ground while everyone is sleeping grief is a house where no on can protect you where the younger sister will grow older than the older one where the doors no longer let you in or out

Grief and love are conjoined, you don't get one without the other. All I can do is love her, and love the world, emulate her by living with daring and spirit and joy.

Each time someone dies, a library burns.

All her knowledge is gone now. Everything she ever learned, or heard, or saw. Her particular way of looking at Hamlet or daisies or thinking about love, all her private intricate thoughts, her inconsequential secret musings – they’re gone too. I heard this expression once: Each time someone dies, a library burns. I’m watching it burn right to the ground.

I always imagined music trapped inside my clarinet, not trapped inside of me. But what if music is what escapes when a heart breaks?

Our tongues have fallen madly in love and gotten married and moved to Paris.

He doesn't have to say it, i feel it too; it's not subtle - like every bell for miles and miles is ringing at once, loud and clanging, hungry ones and tiny, happy, chiming ones, all of them sounding off in this moment. I put my hands around his neck, pull him to me, and then he's kissing me hard and so deep, and i am flying, sailing, soaring.

This is our story to tell. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the story telling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.

It's such a colossal effort not to be haunted by what's lost, but to be enchanted by what was.

I know the expression love bloomed is metaphorical, but in my heart in this moment, there is one badass flower, captured in time-lapse photography, going from bud to wild radiant blossom in ten seconds flat.

The guy's life drunk, I think, makes Candide look like a sourpuss. Does he even know that death exists?

When he plays all the flowers swap colors and years and decades and centuries of rain pour back into the sky

But then I think about my sister and what a shell-less turtle she was and how she wanted me to be one too. C'mon, Lennie, she used to say to me at least ten times a day. C'mon Len. And that makes me feel better, like it's her life rather than her death that is now teaching me how to be, who to be.