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'Tattoos' reminds me of where I'm from, and some of the stuff I did when I was growing up. That was one of the things that was appealing about the song when I heard it the first time.
It's one of those things where if I do a movie, I don't even know if I'm any good. So, I may do one and it sucks and I'm a horrible actor, and I'll never do another one.
I think it's important for artists to work together. It's great for fans to see, like, Ludacris came out to our show in Atlanta and kinda made a surprise appearance there, it shows a mutual respect for what each other does.
Our first No. 1 was 'Why' and we waited two years to have another one. It felt like forever, and now I feel like I'm celebrating one every few months, which I love.
My producer, Michael Knox, he's kind of my eyes and ears on Music Row. While I'm out on the road, he's looking for songs, and then he and I will get together and go over songs.
There's nothing cooler than a good fitting, worn-in pair of Wrangler jeans, so it's great that with the new Retro line, my fans can go out and rock the same styles that I love.
In the music business, especially the country music business, every 10 years or so you're going to have this changing of the guard, this wave of new artists that comes in.
The only person that anybody's ever said I resemble is a young Elvis. It used to happen a lot more when I was younger, and more when I don't wear a hat.
The DVR thing has rocked my world. Being on the road, I used to not keep up with any shows. Now I got a DVR, so I'm watching everything: 'CSI: Miami,' my favorites 'Criminal Minds' and 'The Mentalist.' I like some of the HBO stuff, 'Entourage' and 'Eastbound & Down.' My wife got me into the 'Grey's Anatomy' deal, so I'm watching that.
It'll be my luck that the worst candidate will pick up 'Fly Over States' as his election song. Then I'll be forever linked to that guy, whoever he is!
You don't want to get too ahead of yourself and go out thinking you can play stadiums every night, and they end up being about half-full.
To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets the tone for the rest of the night.
When I was a kid, we went to St. Augustine, Fla., and I was lying on the couch one night with a Q-tip, cleaning my ear out after I'd taken a shower. I hit my arm on something, jabbed the Q-tip through my ear drum, busted my ear drum and couldn't get back in the water the rest of the time we were there.
My main lucky number is 9. That was my baseball number in high school. My other lucky number is 3, because that's the one I wore before I got to high school and had to pick a different one.
Country music in the mid-'90s was a big influence on my career, and I played all the songs that are referenced in '94' back in my club days. Joe Diffie was rocking a sick mullet, and he was hotter than ever... just putting out monster hit after monster hit. It totally takes me back to those days, and it makes me smile every time I hear it.
Entertainer of the Year, to me, there's never been any question that that's one on my bucket list that I want. I'm not going to sit here and lie to you. If there's one that I ever could get - I would trade all the rest of them in for that one.
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
Records are one thing, and obviously, without hit songs, you don't have the opportunity to do your shows. But my live show has always been my selling tool.
We call them impact songs, and people buy impact songs. But you just never know what those songs are going to be. One of those songs that really went through the roof for us was 'Big Green Tractor,' which I thought was kind of a fun little ditty song that I never in a million years thought would be as big as it was. But it was.
I'm trying to get an acting gig on 'CSI' or something like that, so we'll see how that works out. I'm a singer, definitely not an actor, so I just follow directions.
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