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And over the course of the last six years, as I've directed more features and commercials, I've become better at articulating exactly how I want the audience to feel.
As far as writing, I like watching bad movies. Nothing stops me in my tracks more than watching a great film like 'The Godfather' or 'Dog Day Afternoon' or 'The Graduate.' You watch one of those, and you never want to write again. Whereas with bad movies, it makes you think, If that counts, I certainly could write.
All the airports kind of feel and look the same now. Some are more beautiful, some are less beautiful, but for the most part you're going to find a Starbucks in every airport. You're going to get your coffee and the 'USA Today' or 'New York Times' in every airport.
People want to know if I have a moral standpoint that they should be picking up on, and the truth is, I don't. I don't want people to think that I'm trying to tell them to feel a certain way. I think that's cheap filmmaking.
'Alien' asked ground-breaking questions about eco-politics and female empowerment. 'The Matrix' delved deeper into the concept of perception versus reality than perhaps any other film I know. But for some reason, we tend not to remember the significance of their writing.
Most people are nostalgic in a way that they're fond of the past, but they still are happy that they are where they are now. You know, when you say, 'Oh, high school was this or that,' you don't want to go back. No matter how much you loved high school, you don't want to actually be back in high school. I certainly wouldn't.
I think it's a mistake for young filmmakers to just buy digital equipment and shoot a feature. Make short films first, make your mistakes and learn from them.
Filmmaking is a completely imperfect art form that takes years and, over those years, the movie tells you what it is. Mistakes happen, accidents happen and true great films are the results of those mistakes and the decisions that those directors make during those moments.
'Looper' is about what your 55-year-old self would tell your 25-year-old self over a cup of coffee. It's about finding love in the third act of your life. It's about overcoming trauma and the idea of true sacrifice.
Most people see a documentary about the meat industry and then they become a vegetarian for a week.
My writing voice is very much like 'Thank You for Smoking.' It's a guy's voice. It's very masculine.
There are only so many movies you can direct. And yet there are movies that I want to make sure make it to the screen in as honest a way as possible.
Really, it's the director's job to disappear and allow the movie to just feel.
I want my movies to be audience experiences. As much as I like Michael Haneke, I'm not going to make a Haneke film. That's just not in my DNA.
I have one of the original 'Ghostbusters' guns in my house.
I've always had an underdog perspective.
I think, through comedy, sometimes we're allowed to discuss things that you'd never be able to talk about in a drama.
It’s funny, I can sit through the worst horror film ever made! But even a quite good romantic comedy.
I went to college, I went pre-med, I thought I was going to be a doctor.
I'm a kind of private guy.
I really enjoy theater. I just went to see 'Death of a Salesman,' and it knocked me on my ass.
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