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I don't really care about having more fame than I have.
Pretend was a big part of my childhood.
I don't know how it is for women or for other guys, but when I was young and in my 20s, I had a fear of marriage.
Every time I walk down one of those red carpets, you think I'd be used to it after all these years, but it's like it's happening for the first time.
Like most kids, you don't want to do what your folks want you to do. You've got your own thing.
I'd maybe done about 12 movies when I decided that this was what I was going to do.
There's a bit of the kid in me.
You always hear people say that having kids changes everything, but you can't fully realize it until you have children yourself.
I do a lot of ceramics.
That movie, 'Airplane!,' what a landmark film it was. It's a great, great movie.
There is one particular argument that I call our 'ancient war.' If it could be summed up in one phrase, it would be, 'You don't get it. You don't understand what it's like to be me living with you.' There is such truth in that statement. None of us can really appreciate what it is like to be the other person, what that point of view feels like.
The toughest thing about making movies is being apart from your family. One of the things I try my best to do is call my wife every day to keep up to speed with what's going on in her life. And tell her what's going on with mine.
My approach to working in movies is to empower the director to have power over me and to really support his vision because he's the guy, at the end of the day, who's going to put it all together.
Unlike Texas Rangers, we actors don't have a stop date, so I don't know about retiring. Sometimes I want to stop acting, but then you get a good script!
The Widelux is a fickle mistress; its viewfinder isn't accurate, and there's no manual focus, so it has an arbitrariness to it, a capricious quality. I like that.
So many things have to come together to get a creatively successful and financially successful film. Sometimes you'll have a movie that you're very proud of, and you think it transcended all of your expectations, but it doesn't come out at the right time. I have done movies that have never been released. That can be depressing.
We're such a funky species. We're so violent, so greedy - this is how we roll. But what are we going to do about it? How do we move forward given who we are? Because situations don't come out of nothing. They come out of certain conditions.
You have these big $200 and $300 million movies with special effects, and I've always thought, 'Gee, why don't we make 30 movies instead of one $300 million movie?' Let's shake it up a bit; wouldn't that be a better bet? Evidently not.
There are a lot of people getting killed by guns in our country for reasons, from my understanding, that are preventable. So many guns that are left loaded, unlocked. So you can educate. That doesn't seem to be too controversial - education.
That's one of the things that's great about acting. You can play all the different aspects of a human being.
Do we really need to arm our citizens with machine guns or semiautomatic weapons? And don't we need to make sure that people who do own guns are qualified to own them?
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