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I sought Ben Affleck because I needed an everyman for this role. Ben appeals to men and women. He gives you a sense of intelligence, the notion of a guy who can think on his feet.
I look at actors very closely. It's not an accident when the actors excel.
Historically the director has been the key creative element in a film and we must maintain that. We must protect that, in spite of the fact that there is new technology that's continually trying to erode that.
And in Hollywood, you know, everyone is an expert. Most of them are expert editors. They can't direct, they can't write, they can't act, but, by God, they all think they can edit.
The first thing is that we're being attacked by both the Writers Guild and the Producers Guild. Both of these groups are trying to diminish the importance and strength of the director. They're trying to do it through both frontal and side attacks.
The first assistant director is just so important that the choice of that person is critical to the movie.
I feel that my job is to create an atmosphere where creative people can do their best work.
If you cast the picture correctly, you have a whole lot of leeway. You can make mistakes in other aspects but pull it off with the right actors.
The accolades usually come when you're dead or too old to get a job
The world is full of beautiful girls. But they're not Angelina Jolie. She's fun, honest, intelligent, gorgeous and divinely talented. She brings a hell of a lot to the party.
And I kind of feel that I have a responsibility to the people that invest their time and money with me to show up on the set every day and do the best of which I am capable.
One of the other things I think that I've been able to do in my life, is to listen well
Casting is 65 percent of directing.
The whole thing of this business is to retain your enthusiasm and, in a sense, retain your innocence and try to practice as much humility as possible.
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