Explore Quotes by John Green

There is a lot of talk in publishing these days that we need to become more like the Internet: We need to make books for short attention spans with bells and whistles - books, in short, that are as much like 'Angry Birds' as possible. But I think that's a terrible idea.

I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.

I've read a lot of bad books. I used to review books for a living, and when you're a reviewer you read tons of terrible books.

Every time I try to set something in Chicago, I get intimidated by 'Augie March.' It's easy to set something in Indianapolis - we don't have 'Augie March' here. But I love writing about Chicago, and I love being there and imagining lives in Chicago. I hope to set something there in the future, but it's intimidating.

I'm a big believer in pairing classics with contemporary literature, so students have the opportunity to see that literature is not a cold, dead thing that happened once but instead a vibrant mode of storytelling that's been with us a long time - and will be with us, I hope, for a long time to come.

Different authors write different ways, have different relationships with their audiences, and those are all legitimate.

I realized during my time as a chaplain that I didn't want to be a minister.

When you go to a great concert, you feel this arc, almost like the music of a well-chosen set takes you on this trip through emotions and through various forms of intellectual engagement.

Chicago is the Great American City, and it was really great to live there during a time of economic expansion and opportunity and growth. I felt like I was living at the center of the world. Unlike New York, no one expects you to be a professional writer.

When you're writing a novel, you spend four years sitting in your basement and a year waiting for the book to come out and then you get the feedback. When you do work online, the moment you're finished making it, people start responding to it which is really fun and allows for a kind of community development you just can't have in novels.

I like to know the places I write about. I feel like it helps me ground the novel. My novels are 'realistic novels,' but they can also be fantastical, so it's nice to have a setting that grounds them a little bit.

I think instead writers and publishers and readers need to go to the places where people are, and make the argument that there is great value to the quiet, contemplative process of reading a novel, that reading great books carefully offers pleasures and consolations that no iPad app ever can.

I don't think we should see the world of books as fundamentally separate from the world of the Internet. Yes, the Internet contains a lot of videos of squirrels riding skateboards, but it can also be a place that facilitates big conversations about books.

We have this habit of romanticizing the lives of writers. I remember when I was a kid, I was like, 'I want to be Kurt Vonnegut.'

I wrote my first novel and my second novel in Chicago. It was the place where I became a writer. It's my favorite city.

I was enrolled in divinity school and thought I was going to become a minister - I'm Episcopalian - but I was disavowed of that notion pretty quickly while working at the hospital. I found myself really unfulfilled by the answers that are traditionally offered to questions of why some people suffer and why others suffer so little.

I always wondered if there was a purpose to the universe, if there was a plan, if there was some sort of organizing factor, hopefully that I played a role in.

I love making YouTube videos. I love Tumblr, I love Twitter. I love talking with people I find interesting about stuff I find interesting, and the Internet is a great way to do that.

I like to build places online where readers can have productive conversations about books.

I enjoy writing about people falling in love, probably because I think the first time you fall in love is the first time that you have to figure out how you're going to orient your life. What are you going to value? What's going to be most important to you? And I think that's really interesting to write about.

We don't tend to write about disease in fiction - not just teen novels but all American novels - because it doesn't fit in with our idea of the heroic romantic epic. There is room only for sacrifice, heroism, war, politics and family struggle.