that while the world wasn't built for humans, we were built for the world.
John GreenRead
331 quotes
that while the world wasn't built for humans, we were built for the world.
Maybe 'okay' will be our 'always
She loved mysteries so much that she became one.
Hazel has to realize that her mom was wrong when she said, “I won’t be a mother anymore.” The truth is, after Hazel dies (assuming she dies), her mom will still be her mom, just as my grandmother is still my grandmother even though she has died. As long as either person is still alive, that relationship survives. (It changes, but it survives.)
No, I don’t think you’re gonna be single forever, and also I don’t understand your obsession with romantic love. There are other ways to have fulfilling relationships that can sustain you and make your life great and fun other than having a sexualized relationship. It’s not the only kind of fulfilling human interaction. So, even if you are single forever, that doesn’t mean that you’ve had some kind of failed life.
Only now that I loved a grenade did I understand the foolishness of trying to save others from my own impending fragmentation: I couldn’t unlove Augustus Waters. And I didn’t want to.
“I thought we were in a church basement, but we are literally in the heart of Jesus.” “Someone should tell Jesus,” I said. “I mean, it's gotta be dangerous, storing children with cancer in your heart.” “I would tell Him myself.” Augustus said, “but unfortunately I am literally stuck inside of His heart, so He won't be able to hear me.”
Let us go, through certain half-deserted streets, / The muttering retreats / Of restless nights in one-night cheap hotels / And sawdust restaurants with oyster-shells: / Streets that follow like a tedious argument / Of insidious intent / To lead you to an overwhelming question.../ Oh, do not ask, 'What is it?' / Let us go and make our visit"' 'I'm in love with you,' he said quietly.
Well," Peter Van Houten said, extending his hand to me. "It is at any rate a pleasure to meet such ontologically improbable creatures." I shook his swollen hand, and then he shook hands with Augustus. I was wondering what ontologically meant. Regardless, I liked it. Augustus and I were together in the Improbable Creatures Club: us and duck-billed platypuses.
If you don't live a life in service of a greater good, you've gotta at least die a death in service of a greater good, you know? And I fear that I won't get either a life or a death that means anything.
But I believe in true love, you know? I don't believe that everybody gets to keep their eyes or not get sick or whatever, but everybody should have true love, and it should last at least as long as your life does.
Neither novels or their readers benefit from any attempts to divine whether any facts hide inside a story. Such efforts attack the very idea that made-up stories can matter, which is sort of the foundational assumption of our species.
I spy with my little eye a great story.
I believe in that line from An Imperial Affliction. 'The risen sun too bright in her losing eyes.' That's God, I think, the rising sun, and the light is too bright and her eyes are losing but they aren't lost.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
Because you are beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence
There is only one things in this world shittier than biting it from cancer when you're sixteen, and that's having a kid who bites it from cancer.
I believe the universe wants to be noticed. I think the universe is inprobably biased toward the consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it-or my observation of it-is temporary?
The weird thing about houses is that they almost always look like nothing is happening inside of them, even though they contain most of our lives. I wondered if that was sort of the point of architecture.
The pleasure of remembering had been taken from me, because there was no longer anyone to remember with. It felt like losing your co-rememberer meant losing the memory itself, as if the things we'd done were less real and important than they had been hours before.
You are so busy being YOU that you have no idea how utterly unprecedented you are.
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