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One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.
My intended audience was everybody. I just want to make cartoons for human beings.
You can draw Family Guy when you're 10 years old. You don't have to get any better than that to become a professional cartoonist. The standards are extremely low.
The storyboard department doesn't talk to the layout department, which doesn't talk to the writing department. They're all jealous of each other.
Not very many people can draw who are illustrators today.
Most cartoons are those colors. They have been for 35 years.
To make something look real and alive, nothing can be symmetrical because nothing in real life is symmetrical. You have to make it look organic.
The generic Canadian style of illustration is different from the generic American style.
Open a magazine from the 1930s and '40s and look at the illustrations in it. There's nobody alive that could touch the way they could draw back then.
My style is very strong poses and expressions.
Mel Blanc has been gone for 30 years, even though he's still around.
You buy any book on color theory today, and it's just complete poppycock. Everybody comes out of school painting pink, purple and green. The whole damn cartoon industry has pink purple and green on their mind.
Kids cannot follow stories. They don't know what the hell is going on in a cartoon. They like to see funny visual things happening.
The only character I ever remember actually creating in a flash of inspiration was George Liquor. God planted that in my head in an instant.
Schools are really bad now. Schools are not only bad in reading, writing and arithmetic, they're worse in cultural aspects, like in music and art. They don't teach you anything.
I find it very hard to sit down and create an idea or especially a new character on command. Usually my characters evolve by accident out of some story context.
I think we are destroying the minds of America and that has been one of my lifelong ambitions.
Joe Barbera's s always complaining that he can't get humor into cartoons anymore. Just do it. You've got your money. Why do they let the networks run their lives?
There's tons of people with talent; it's the system that's all screwed up.
Cartoonists are untrained artists, while illustrators are more trained.
As soon as I found out how compartmentalized the industry was, I realized, Well, no wonder the cartoons are so bad.
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