People think the camera steals their soul. Places, I am convinced, are affected in the opposite direction. The more they are photographed (or drawn a….

I have been using the art of photography to research the ways in which the pictorial strategies of the Nineteenth Century color the way in which the ….

I became wary of simple interpretations that assumed fixed and final meanings..

I want to make photographs whose very ambiguity provokes thought, rather than cuts it off prematurely. I want to make pictures that work on a more my….

It is not without trepidation that I have appropriated the codes of the Sublime and the Picturesque in my work. After all, serious photographers have….

Somehow I felt that if Fox Talbot had had more time and more drawing talent, he would have filled in the interval between his two drawings and made a….

I often wondered why I was attracted to certain landscapes and not others and why my photographs (and depictions by other artists) looked the way the….

As Estelle Jussim wrote, it is almost impossible for a single photograph to state both the problem and the solution..

It would have been possible to structure my photographs in such a way that no indicators of the present were discernible. However, I wanted to incorp….

Strangers with puzzled looks were amazingly cooperative in letting me into their rooms with my photographic gear. They let me take down the curtains,….

Photography, of course, is the perfect medium for the investigation. It can reveal the truth of present day specifics and particularities, while at t….

While making my picture window photographs, I came to think that every room was like a gigantic camera forever pointed at the same view..