Explore Quotes by Jojo Moyes

In 'Me Before You,' the two characters popped into my head fully formed, which is really strange and unusual. Other books, I sit on them for two or three months. I have a whole routine: I buy a nice book; I hand-write all their characteristics. I put them through little tests just to see how they would react to things.

I've always been a focused person who knows how to get what I want.

I wrote three books before I got one published. Most writers do. Have faith, and know that with each work you are getting better.

Chick-lit may be staggering on its heels, but women's fiction is alive and kicking.

We seem to live in an age where we are quietly appalled by the idea of appetites, whether they be for sex, food or diamonds.

My writing life has included the struggle to bring up three children. What I do three or four times a year is take myself off to a hotel room to unblock a problem.

My Writers Guild of America card is one of my proudest possessions. I was given it after being invited to write the script for a film of my last novel, 'Me Before You,' which is being made by MGM. Whenever I look at it, I think, 'I'm a Hollywood writer!'

Rejection is part of the process, so you can't let it crush you. My first three novels never made it into publication, but my fourth, 'Sheltering Rain,' was translated into 11 languages.

I try to read writers who are better than me because it inspires me to be better.

I started writing novels by not thinking about actually writing a whole novel - that felt altogether too daunting. I thought out a rough idea, then wrote chapter by chapter, and then by the time I'd hit 40,000 words, it was a challenge just to see if I could get to the end.

My characters make incomprehensible decisions until you stand in their shoes. Then it makes more sense. Life is very rarely black and white, and most people are trying to do their best. I try not to judge.

What love is depends on where you are in relation to it. Secure in it, it can feel as mundane and necessary as air - you exist within it, almost unnoticing. Deprived of it, it can feel like an obsession; all consuming - a physical pain.

I have read books that are so cliched and lazy, my eyes have bled. But I also have read books marketed under the chick-lit umbrella that are so honest, clever and gritty that I've wanted to give up writing and paint walls instead.

If chick-lit really is taking a commercial battering, I'd suggest it's because the marketing has been done to death. Covering everything in girlie pink and putting chocolate in the title may once have been a clever Pavlovian device but now makes readers feel a bit sick.

The fragrance I always wear is Coco by Chanel. I've worn it for 20 years. It suits me, it's classic, and I like the simplicity of only ever wearing one fragrance.

We want a macho high-earner - with the sensitivity of Gok Wan. We want a man with Brad Pitt's six-pack - but one who's prepared to overlook our own muffin top. No wonder most men don't know if they're coming or going.

Writers divide fairly cleanly into those who only work through what they hear and those who are more visual. I am the latter, where I lie down on my office floor and play scenes through my head to - cinematically, several times with different elements - to see what works. I can't write a scene until I can see it.

I love 'To Kill A Mockingbird' - it seems to offer up new layers every time you read it. I also love Kate Atkinson's 'Behind The Scenes At The Museum' - that's the book that started me writing.

Novelists seem to fall into two distinct categories - those that plan and those that just see where it takes them. I am very much the former category.

I always imagined a writer was someone who lived in an attic in Paris, but my mum instilled in me a belief that I could do anything - so I ended up writing my first novel while working nights as a news reporter.

I always say that in any roomful of people, I could hive a novel out of any one person's family or life story.