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The relationship between parents and children, but especially between mothers and daughters, is tremendously powerful, scarcely to be comprehended in any rational way.

The historical Woodrow Wilson suffered from numerous complaints which we might today label as psychosomatic. Yet, Wilson did have a stroke as a relatively young man of 39 and seemed always to be ill. He was 'high-strung' - intensely neurotic - yet a charismatic personality nonetheless.

'The Accursed' is very much a novel about social injustice as the consequence of the terrible, tragic division of classes - the exploitation not only of poor and immigrant workers but of their young children in factories and mills - and as the consequence of race hatred in the aftermath of the Civil War and the freeing of the slaves.

My students often say, "My roommate read this story and really liked it", and it's hard to convince them that there are things wrong with it. I say, "well, people who love you want you to be happy. But I'm your professor and I'm supposed to be teaching you something."

The books I read I do enjoy, very much; otherwise I wouldn't read them. Most of them are for review, for the New York Review of Books, and substantial.

Sometimes I read reviews, and without exception I will read critical essays that are sent to me. The critical essays are interesting on their own terms.

The domestic lives we live - which may be accidental, or not entirely of our making - help to make possible our writing lives; our imaginations are freed, or stimulated, by the very prospect of companionship, quiet, a predictable and consoling routine.

Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.

People who are disenfranchised politically and people who are poor often don't vote. They often don't elect politicians, so the politicians who are supporting them are really being very charitable, because they're not going to give them billions of dollars in campaign funds.

People have libraries at home, they have bookshelves, they have CDs. And they sort of try, people try to bring great artists into their lives, into their physical houses and sort of live with portions of them. But they're not really deeply engaging with them.

Probably nothing serious or worthwhile can be accomplished without one's willingness to be alone for sustained periods of time, which is not to say that one must live alone, obsessively.

Novels usually evolve out of 'character.' Characters generate stories, and the shape of a novel is entirely imagined but should have an aesthetic coherence.

Often in gothic novels there's a large house, an estate, and it's symbolic of that culture. Usually it's sort of moldering or rotted or something, and sometimes it's a whole community.

I wrote a novel called "Blonde," which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.

My own way of writing is very meditated and, despite my reputation, rather slow-moving. So I do spend a good deal of time contemplating endings. The final ending is usually arrived at simply by intuition.

My writing is often a way of 'bearing witness' for others who lack the education and the opportunity to tell their own stories, so I hope that my writing won't be affected too much by my personal life.

My grandmother could never have written a memoir, so 'The Gravedigger's Daughter' is a homage to her life, and to the lives of other young women of her generation, which are so rarely articulated.

Mark Twain was very unhappy with himself for various reasons. He was very unhappy with America of this time. He thought it was terrible we had no anti-lynching laws, and he was also a feminist, and he was also very concerned with anti-Semitism. He was a good man, but he was hard on himself.

If you're living with a scientist, you see the world differently than you do with a humanist. It's in some ways very subtle, the differences in perceiving reality.

I've always been interested in writing about people, including young children who are not able to speak for themselves. As in my novel 'Black Water,' I provide a voice for someone who has died and can't speak for herself.

If my favorite, most comfortable place is by our fireplace in cold weather, expedient places are on an airplane, in a waiting room or even waiting in line; frequently these days, while on the phone having been 'put on hold.'

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