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There are certain songs that are sacred. People want to hear them just as they are in their head; they don't want you messing around with them. And then there are some other songs, if they've been around a long time in our set list, that I think we can take some creative liberties with.

The records in the house I really remember were, well, Glen Campbell's 'Wichita Lineman' and 'Galveston.' Even as a kid, I knew these songs were glorious. My dad also had records by Merle Haggard, Charley Pride, Waylon Jennings, and then there was also the Eagles and Don Henley. Anything Texas, which includes Don Henley, was big.

It's not the case of turning in a bunch of songs and recording the next month. I think you're looking for songs all year long and you're writing all year long.

I think the industry is oblivious to the fact that most people listen to all kinds of stuff. I personally don't know of anyone who listens to only one genre of music. It's vanity because no one does.

It's something I've always loved doing. I'm not one of the artists who comes in and just does my bit. I'm there every second of every day. That's my hands-on situation.

The world is getting so reality-driven these days. It seems to be accelerating exponentially. But it's a dangerous game for a lot of people.

I love the beginnings of artists when all they've got is raw talent and nothing else.

I've never wanted to name an album from a song title if I could avoid it because I like it to be a body of work.

My father's record collection was all country. That's how I was exposed to it.

I think everybody has different priorities in their life. People live their lives differently. People become famous through all sorts of different reasons... some of it through art and some of it through just wanting to be famous. And I think how that all starts tends to reflect how you live your life daily.

I don't swear much; I've taken those words out of my vocabulary, and having kids, you have to have two sets of language!

A song like 'Once in a Lifetime' is inspired by my marriage - it's a good, life-changing happening in my life. I think when you find your once-in-a-lifetime love, that's what everybody's looking for.

Getting on the bus and touring was my life. And when that was not around, I felt myself a bit lost at times, because that was all I had.

They're mostly done before we went into the studio, although I do like writing in the studio.

It can get a little costly if you try and leave it until then to write songs. But you're writing all the time. You're collecting songs. I've had songs that have been collected over a two-year period for my next record.

I always wish I'd had more mentors, better mentors, wiser mentors, people who were proper professional working musicians to guide me as I was coming up.

Red carpets are pretty unpredictable. You can go from one person asking you what you're wearing to the next person asking you about the situation in Haiti. It's the extreme juxtaposition, and some of the questions can throw me!

I make no apologies for being a huge fan of radio songs.

I'm a little more comfortable in that role. I love being in the studio.

Once we get into the groove, we're kind of like long-distance runners - that adrenalin kicks in for me and I just keep running - and I don't stop!

You go through life experiences. Each record captures a different turning point in my life.

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