Art is a reflection of everything that impacts your life..

I like that feeling when you’re making art, that you’re taking the energy out of your body and putting it into a physical object. I like things that ….

Life changes a lot. I guarantee you..

My work life makes much less sense now than 20 years ago. It's Humpty-Dumpty-like in a way; I can't put the pieces back together..

I really love printmaking. It’s like a mystery and you’re trying to figure out how to rein it in..

It's fun, in a way, to explore what's risky in one's life..

Our culture seems to believe that it's entertaining to teach women to be frightened..

I didn't start to be an artist myself until I was 24..

It is very different when you age. The things that are significant, or what drives you, or the physical experience of being driven, changes over time..

Making art is a lot about just seeing what happens if you put some energy into something..

One's self is always shifting in relationship to beauty and you always have to be able to incorporate yourself or your new self into life. Like your ….

Artists live in unknown spaces and give themselves over to following something unknown..

As an artist, you want to have an experience. What you need to experience changes over the course of your life because your life changes..

It’s one of my loose theories that Catholicism and art have gone well together because both believe in the physical manifestation of the spiritual wo….

When studio art started being seen as important, I joined Colab, and then I became very involved..

We as beings are very contradictory, complicated creatures that work in our best interest and against our best interest. In a certain way, I want my ….

I think a lot of making art is listening to yourself..

Sometimes your personal life is much more significant. Sometimes your work life is more significant. Friends and family, or sometimes the general pop….

I think that objects have memories. I’m always thinking that I’ll go to the museum and see something and have a big memory about some other lifetime..

I had stopped making figures, and then I began making images of animals in nature, which was a way to introduce the figure..

I trust my work. It's a collaboration with the material, and when it's viewed, it's a collaboration with the world..