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I was a bit odd as a kid, because there were so little outlets for me. There was no theatre except for the odd community theatre and school shows. The only movie theatre was at the Canadian Forces Base nearby in Comox, so it either showed kiddie flicks for the families and restricted stuff for the men.
There's still the part of me that wants to leap at every opportunity, but now there's the other side that says, 'Let's just wait a minute and see what happens.' That's intuition, and it comes with age and experience.
I've realized that the most important thing I can do to look good is just treat myself well, whether it's getting a nice, long massage or just lying low and not going out every single night.
It was difficult when I was very young because I was so separated from my family. When I was at school or acting in a play, I felt very much part of something, and then it would always change, and I would be by myself.
I always assumed that, like my mother before me, one day I would have children. When I was 5, my fantasy was to have a hundred dogs and a hundred kids.
I feel sometimes and in some ways like Linda Romanoli and Monica Velour; I feel marginalized because I'm in my fifties. If you went online and you look at some of the blogs, which one can do on a lonely night, it's pretty startling what people will say about you just because you're in your fifties.
If my accomplishments frighten someone, it's nothing to do with me - that's to do with them. But the men who are in my life see me as a person - as a woman - not as a character I've played.
I have a big appetite, and staying on top of that is about knowing myself and saying, 'I can eat that today, but tomorrow I'm not going to.'
There's a look people get in their eyes when you're talking to them and they're not seeing you, and you know it's because they have a movie running through their head.
I've seen some women who are not particularly attractive but they have an assurance, and there's something so attractive about someone who doesn't have to work so hard.
It's your body, your life. Do what you want to do.
Theatre is immediate, it's alive, you're there with the audience, it can't be done again and again and again and again, it's organic.
A successful television series can chain you to a schedule of long hours and can put your personal life on hold. But after it is all over, if you survive, then anything is possible.
What I wear is a reflection of where I am going and how I am feeling. If I'm in a good mood, it's got to be cashmere and jeans - just something comfy, soft and warm. When I'm down, I might find something that I haven't worn for a while that was bought for me - or wear a brooch or a pair of shoes that are like old friends.
Looking good has never been the most important thing to me. Maybe it's because I'm more conventionally, um, acceptable, so it's not an issue for me. I don't know.
My film career was always to support my theater career.
Since doing the show I've been so busy that I've not really had time to mope.
I wanted to understand pain and the human condition, which is full of pain and regret and sadness - and some happiness, if you're lucky.
I don't think I'm vain... but I do like to be lit well.
The older I get, the less jarring I want my exercise to be, and I find that a long walk is equally as helpful and satisfying as a three-mile jog.
I didn't want to get married, and I didn't want kids - I knew I wanted to act.
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