Time's going to pass anyway, so it's prioritizing what to do with that..

We remind ourselves that it's a hobby [The Esemblist]; nobody is setting these deadlines for us, except us..

I've never done Something Rotten either..

We also have a team that works really well together, that knows whose turn it is to pick up what someone else can't continue-the five of us work real….

And as ensemblists start being asked to do more things that require an insane skill set, that inherent value will, I hope, be held up where it deserv….

Where we're telling the story of the history of the ensemblist [in the "Ensemblist Essentials"], using the nine musicals that have won the Pulitzer P….

We don't have a studio, we don't have a radio station, we don't have anybody breathing down our necks to make a budget. We don't have any benchmarks ….

Showtunes might be able to come back into pop music, which is something we haven't seen since the 50s and 60s. Everything is related to everything el….

We haven't truly had a zeitgeisty, 'songs on the radio' show, since...I want to say "One Night in Bangkok" was the last musical theatre song that cha….

The biggest possible thing that we're trying to do is change the conversation about what it means to be a working artist today, and hopefully, as the….

It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time,….

We're just trying to restore equilibrium to the Universe, that's all..

I'd like to see the first act of Sunday in the Park with George, and the second act of Hamilton. Every day..

I think that a solid team, solid communication, is the number one thing in life at all times..

If things come up, we can say, "We're not ready for this, let's move some things around.".