Pablo Neruda

Hour of nostalgia, hour of happiness, hour of solitude.

Hands make the world each day.

What did the earth teach the trees? _x000D_ How to speak to the sky.

I can write the saddest poem of all tonight. I loved her, and sometimes she loved me too.

Laughter is the language of the soul.

I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.

Girl lithe and tawny, the sun that forms the fruits, that plumps the grains, that curls seaweeds filled your body with joy, and your luminous eyes and your mouth that has the smile of the water. A black yearning sun is braided into the strands of your black mane, when you stretch your arms. You play with the sun as with a little brook and it leaves two dark pools in your eyes.

Nobody can claim the name of Pedro, nobody is Rosa or María, all of us are dust or sand, all of us are rain under rain. They have spoken to me of Venezuelas, of Chiles and Paraguays; I have no idea what they are saying. I know only the skin of the earth and I know it has no name.

Each in the most hidden sack kept the lost jewels of memory, intense love, secret nights and permanent kisses, the fragment of public or private happiness. A few, the wolves, collected thighs, other men loved the dawn scratching mountain ranges or ice floes, locomotives, numbers. For me happiness was to share singing, praising, cursing, crying with a thousand eyes. I ask forgiveness for my bad ways: my life had no use on earth.

It was at that age that poetry came in search of me.

If we were not so single-minded about keeping our lives moving and for once could do nothing, perhaps a huge silence might interrupt this sadness of never understanding ourselves and of threatening ourselves with death Perhaps the world can teach us as when everything seems dead but later proves to be alive.

I don't want to go on being a root in the dark, vacillating, stretched out, shivering with sleep, downward, in the soaked guts of the earth, absorbing and thinking, eating each day.

Give me, for my life, all lives, give me all the pain of everyone, I'm going to turn it into hope. Give me all the joys, even the most secret, because otherwise how will these things be known? I have to tell them, give me the labors of everyday, for that's what I sing.

I crave your mouth, your voice, your hair. Silent and starving, I prowl through the streets. Bread does not nourish me, dawn disrupts me, all day I hunt for the liquid measure of your steps.

To love is to tilt with the lightning, two bodies routed by a single honey's sweet.

He who does not travel, who does not read, _x000D_ who does not listen to music, _x000D_ who does not find grace in himself, _x000D_ she who does not find grace in herself, _x000D_ dies slowly.

And I, a materialist who does not believe in the starry heaven promised to a human being, for this dog and for every dog I believe in heaven, yes, I believe in a heaven that I will never enter, but he waits for me wagging his big fan of a tail so I, soon to arrive, will feel welcomed.

What can I say without touching the earth with my hands?

You are like night, calmed, constellated. Your silence is star-like, as distant, as true.

Will our life not be a tunnel between two vague clarities? Or will it not be a clarity between two dark triangles?

This means that we have barely disembarked into life, that we've only just now been born, let's not fill our mouths with so many uncertain names, with so many sad labels, with so many pompous letters, with so much yours and mine, with so much signing of papers. I intend to confuse things, to unite them, make them new-born intermingle them, undress them, until the light of the world has the unity of the ocean, a generous wholeness, a fragrance alive and crackling.