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We imagined ourselves as the Sons of Liberty with a mission to preserve, protect, and project the revolutionary spirit of rock and roll. We feared that the music which had given us sustenance was in danger of spiritual starvation. We feared it losing its sense of purpose, we feared it falling into fattened hands, we feared it floundering in a mire of spectacle, finance, and vapid technical complexity.
I'm certain, as we filled down the great staircase, that I appeared the same as ever, a moping twelve years-old, all arms and legs. But secretly I knew I had been transformed, moved by the revelation that human beings create art, that to be an artist was to see what others could not.
I imagined myself as Frida to Diego, both muse and maker. I dreamed of meeting an artist to love and support and work with side by side.
I hated the soup and felt little for the can.
I knew if I lived long enough I would be poet laureate of something.
I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
Yet you could feel a vibration in the air, a sense of hastening. It had started with the moon, inaccessible poem that it was. Now men had walked upon it, rubber treads on a pearl of the gods. Perhaps it was an awareness of time passing, the last summer of the decade. Sometimes I just wanted to raise my hands and stop. But stop what? Maybe just growing up.
I have loved books all my life. There is nothing more beautiful in our material world than the book.
Who can know the heart of youth but youth itself?
I don't like answering to other people's philosophies. I don't have any philosophy, I just believe in stuff. Either I believe in something or I don't. Like, I believe in the Rolling Stones but not in the Dave Clark Five. There's nothing philosophic about it. Whenever I'm linked with a movement, it pisses me off.
Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
So my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.
Freedom is...the right to write the wrong words.
When we got to the part where we had to improvise an argument in a poetic language, I got cold feet. "I can't do this," I said. "I don't know what to say." "Say anything," he said. "You can't make a mistake when you improvise." "What if I mess it up? What if I screw up the rhythm?" "You can't," he said. "It's like drumming. If you miss a beat, you create another." In this simple exchange, Sam taught me the secret of improvisation, one that I have accessed my whole life.
Angel looks down at him and says, “Oh, pretty boy, Can't you show me nothing but surrender?
For life is the best thing we have in this existence. And if we should desire to believe in something, it should be a beacon within. This beacon being the sun, sea, and sky, our children, our work, our companions and, most simply put, the embodiment of love.
Writing is not some quiet, closet act.
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