The thing about how that process works is that it's more about the editing and time for judging the ideas. Most pieces I publish each week have been ….

If I was feeling angry, I had to investigate not just who or what I was angry at, but why. And then I had to do the hard part and ask myself: Are you….

I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making thin….

We've become to living with absurdity, and that to make people to see how much so, I had to ratchet up the insanity..

Our job is to translate the lies, deceit, and anxiety that poisons our cultural water supply into an understandable form that we can digest..

We tear ourselves inside out for something the world may love, then base our worth on that..

On to the Next Dream is so outlandish. I call it absurdist fiction, because the story is utter hyperbole. The story builds to such an exaggerated and….

On to the Next Dream became about much more than me facing a challenging situation; it became about how all of us feel when we're thrust unexpectedly….

I like working in series, so instead of just doing one separate body of work, what if I come up with a different rhythm, instead of every week, what ….

I set up a system for myself where I work on a lot of pieces at once. I'll switch between them and keep working on a piece until it comes together, a….

What I am most proud of with the book On to the Next Dream is how I turned an intensely emotional experience into art. Anyone can run up to a rooftop….

In hard times, beauty can seem frivolous - but take it away, and all you're left with is hard times..