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My father had an invisible job outside of the house; I didn't know what he did. But my kids were privy to the ups and downs of a writer's life.

I was raised in a large family. The first reason for my travel was to get away from my family. I knew that I wanted to be a writer, but I didn't want people to ask me questions about it.

The people I've known who've done great things of that type - you know, building hospitals, running schools - are very humble people. They give their lives to the project.

To me, writing is a considered act. It's something which is a great labor of thought and consideration.

When I started writing, I did have some idealised notion of my dad as a writer. But I have less and less of a literary rivalry with him as I've gone on. I certainly don't feel I need his approval, although maybe that's because I'm confident that I've got it.

The more you write, the more you're capable of writing.

When I left Africa in 1966 it seemed to me to be a place that was developing, going in a particular direction, and I don't think that is the case now. And it's a place where people still kid themselves - you know, in a few years this will happen or that will happen. Well, it's not going to happen. It's never going to happen.

The job of the travel writer is to go far and wide, to make voluminous notes, to tell the truth.

I believe I have a sunny disposition, and am not naturally a grouch. It takes a lot of optimism, after all, to be a traveler.

I wanted the Peace Corps to be something very vague and unorganized, and to a large extent it was. It did not run smoothly. The consequence was that we were left alone.

Television cannot film corruption. Television cannot spend five days on a rattling railway train, talking endlessly. Television needs excitement, it needs an angle, it needs a 'sound bite.

I think I am typical in believing that the Peace Corps trained us brilliantly and then did little more except send us into the bush. It was not a bad way of running things.

Nyasaland was the perfect country for a volunteer. It was friendly and destitute; it was small and out-of-the-way. It had all of Africa's problems - poverty, ignorance, disease.

I loathe blogs when I look at them. Blogs look, to me, illiterate. They look hasty, like someone babbling.

The moment that changed me for ever was the moment my first child was born. I was happy, filled with hope, and thought, 'Now I understand the whole point of work, of life, of love.'

The travel impulse is mental and physical curiosity. It's a passion. And I can't understand people who don't want to travel.

When I began to make some money, I really wanted to have a home.

When I write about my childhood I think, oh my God, how did I ever get from there to here? Not that any great thing has happened to me. But I felt so tiny, so lost.

Travel magazines are just one cupcake after another. They're not about travel. The travel magazine is, in fact, about the opposite of travel. It's about having a nice time on a honeymoon, or whatever.

Henry Miller, Jack Kerouac, Albert Camus, Graham Greene - they influenced my life to a profound extent.

Movable type seemed magical to the monks who were illuminating manuscripts and copying texts. Certainly e-books seem magical to me.

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