Most of what you see in architecture are watered-down ideas of sculptors who have come before..

I was in analysis and I told my analyst I wanted to be the best sculptor in the world and he said, 'Richard, calm down.'.

The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes. Contraction and expansion of the sculp….

I started working for Bethlehem Steel when I was about 16 during the summers..

But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliag….

On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cap….

Art for the most part, is about concentration, solitude and determination. It's really not about other people's needs and assumptions. I'm not intere….

Art is not democratic. It is not for the people..

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy….

When I moved into making sculpture, I could handle steel the way it had been handled in the technological revolution. I could use it the way bridge b….

Time and movement became really crucial to how I deal with what I deal with - not only sight and boundary, but how one walks through a piece, and wha….

I used to eat lunch with Billy Wilder when I first came out here..

It could be that people want to consume sculpture the way they consume paintings - through photographs... I'm interested in the experience of sculptu….

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to ….

Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see..

And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chanc….

Promenade was totally driven by the context. The internal relationships of measurement and placement related to the central axis of the site. The pla….

If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in w….

Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading..

I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to mak….

I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another com….