The day you step on the floor the meter is ticking and time is of the essence. You can't really afford to not know what you're doing. So I think the ….

The choice that you really have is that you can go and work for TV which is so badly paid that you have to really churn them out which I think probab….

I have a family. I'm married. I'm very, very happy. I wanted to make a movie for my wife and a movie that speaks to what it is to be in a long term, ….

I think you either have chemistry or you don't. If you could create chemistry in the editing room then there would be no films without chemistry, obv….

I read a script or I read a project or I read a novel and I know that I'm going to spend two to three years of my life with that, exclusively. So you….

The movie doesn't do what you want it do. It just grows and then you have a movie at the end of it, hopefully..

I think it's never mono-causal why you fall in love with something that you want to do..

It's not like you get up in the morning on the first day of shooting and say, 'I'm so smart today I'm going to determine every choice I make from now….

The screenplay is a great document because it makes you have many discussions prior to actually being on the floor..

I'm very eclectic in terms of what I like, what I read, what I watch, my own consumer behavior..

I'm not looking for artistic license with the script. I tend to arrive at a form with the script and feel that that should be for the time being what….

I went through a pretty serious illness early in my life and I made a movie about that..