Where you have a villain in the piece or the antagonist, whatever you want to call them, there has to be humanity at the core of it or it's faintly r….

I always love depth. I like looking through windows, through frames, through spaces into other spaces..

I've always had a feeling that the image is 50% of the emotion that an audience feels and it's subliminal. Yet, how you arrange the elements in front….

The visualization of my films is always very important to me and I work very closely with my cinematographers. I've never had the same cinematographe….

My job as the director is to make that as authentic as I can and not to disturb the revelry..