A premium site with thousands of quotes
If something's not working, it's wonderful to have a reader you can trust to say, 'Actually, you've gone off the deep end here'.
We all live in a culture that is continually isolating feminine and masculine aspects, even when they're not related to people.
I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in 'The Summer without Men.' I also write essays about visual art.
The idea that skiing might not be fun, might not be for everyone, had never occurred to me. Where I come from, the sport signified pleasure, nature, family happiness.
The mind-brain is lived only from a first-person perspective, and it is a dynamic, plastic organ that changes in relation to the environment.
The history of fiction is about family - an inexhaustible subject for literature. We are creatures driven by emotions that are on high display in intimate relations - inside the family.
I am an American, but a sense of otherness was part of my growing up. I spoke Norwegian before I spoke English. My mother is Norwegian.
That's one of the great lies of intimacy, to pretend you know everything - you cannot. No matter how close you've been, over however many years, there remain secrets. I think we all know that - that you don't tell everybody everything.
I am married to a writer, and this - writing - is an odd enterprise. It's something we both support very strongly.
Although sometimes the morbid is also the transcendent, the transcendent cannot be reduced to the morbid.
Far more women read fiction than men, and because of this, novels have become marginalised as serious texts.
I'd been writing poems for many years, but most of them I didn't like. Then, when I was 23, I wrote one I did like, sent it to 'The Paris Review' - the highest publication I could think of - and they accepted it. No other moment in my literary life has quite come close to that.
I bought myself a rubber brain, familiarized myself with its many parts, listened intently, and read more. In fact, I read obsessively, as my husband has told me repeatedly. He has even suggested that my rapacious reading resembles an addiction.
I've come to understand that migraine is a part of the personality. I have migraine troughs. These often follow high productivity. I have a hypo-manic phase, then I'll crash.
Novelists embody plural selves all the time. What are characters, after all, if not other selves?
I have a tendency to face my bad fantasies in my books.
When I taught writing classes to psychiatric patients, I met people whose stories of manic highs and immobilizing lows appeared to be textbook descriptions of classic bipolar disorder. I met other patients who had been diagnosed with myriad disorders. No doctor seemed to agree about what they actually suffered from.
I published my first poem in 'The Paris Review' in 1980.
There is this assumption that much of what I write is about my life, and that simply is not true.
With almost no exceptions, art by men is much more expensive than art by women. Even great women artists, like Louise Bourgeois and Lee Krasner, are only fully embraced very late in their career.
If I have open time, and I'm in Manhattan, I'll just walk to wherever I'm going, even if I could get there faster on the subway. I just love walking the streets of New York.
Subscribe and get notification from us