When I go into the editing process, I re-look at the original intuitive thoughts and then it becomes the written performance or text work. Because th….

I probably protect myself by not asking myself too much..

I don't analyze too much, because then I'll question, 'Why do I write down all of these random little phrases?'.

I'm not really interested in making someone endure a performance or stand there for too long. I like to think about the length..

The way I perform or the setup is always same - just me and a microphone and the text - and they usually have some relation of how physical that stac….

Being on the same level as everybody is really important to me. I'm trying to do really basic stuff like communicate, convey, talk, see, and invite j….

Performances have a bit of a life and a time scale to themselves..

I'm one who needs to be in the space [for] a sense of place and order. It's crucial..

I've thought about bands or performers who appear from nowhere: You come out of the greenroom in this secure little unit, then you do this thing and ….

I've got a twin sister who's an artist and growing up I was always "the loud one." She's not actually quiet at all, but I would rather fill a gap wit….

For me, there's the certain focus points that come out, which could reference a song or a pop disco, or something really abstract. It's not totally f….

I'm interested in really particular details, ideas, thoughts, and emotions, yet it's defused with performance, where you can play with hiding things,….

I like actual songs and bands, but it's usually parts, like the production, the bassline, the drums, that I'm really attracted to..

Sometimes I start with music on and then I get distracted because I'm working to a different rhythm; I'm not working to myself. So, I don't have musi….

I started using Notes [on my iPhone] but I do a lot of hand written notes. It's a very slow, accumulative thing..