I'm designing a seductive frame to attract an audience to a subject they would otherwise ignore. And that's what I do in all of my photography - give….

Photography's history is bound to the mistake, to the accident..

I want to see everything. I guess the positive version of not seeing or not knowing would be preservation of fantasy..

I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine patterns or codes….

Photography's ability to blur truth and fiction is one of its most compelling qualities. But when misused... this ambiguity can have severe, even let….

My work is drawn to the political but avoids an agenda. There is no inherent critique or support..

Documentary photography is becoming more illustrative as people become more familiar with photography’s limitations and vulnerabilities. Reality has ….

The majority of my work is about preparation..

There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful than any ….

The photograph doesn't claim to be a participant, or to know, or to be a club member of whatever it's documenting - photography is more demanding whe….

You come to the photograph as an aesthetic object with no context... Then you step in and read the text and then out again to revisit the image in a ….

In my work, I construct texts and images. Between those two points the blur occurs. Each is altered by the other again and again, back and forth..

Simulations directly relate to the process of and complications in photography. They also overtly create layers of fantasies, myths and interventions….

Archives exist because there's something that can't necessarily be articulated. Something is said in the gaps between all the information..

Photography threatens fantasy..