I mean if you look at the Charger and you compare it to other cars, the way the lines work, the tires, in 3-D it's gorgeous. One thing that we found ….

We really did it write it for the story but once you get into production, once you start doing this process certain things will jump out at you. Some….

I put in all the dirty words. It works really well. The thing that we found with 'Drive Angry,' more than anything else is that we wrote the movie th….

I would've never done a 1970's road movie. It just wouldn't have occurred to me. So when he started talking about it he brought up all these movies a….

It's not like we were forced to do something we didn't want to do. I mean, when you see that scene you'll realize that we're really lucky that the we….

I think it's just as viable a way of telling a story as anything else but for right now we like playing around with the new ways to do 3-D because I ….

The actors come in and they make characters their own and so Patrick and I have never been the kind to think that our script is the bible. We want to….

It's a road movie [Valentine]. I mean, yes. We film it here and it takes place from basically Colorado to Louisiana. That's the road trip. So we're a….

I mean, 3-D adds a whole level of 'oh my goodness' to the movie in good ways and bad ways that you have to deal with. We've overcome any obstacle tha….

I think that's coming just like anything else. I don't think that it's just going to be 3-D. I think that 2-D is going to be around forever. I think ….

Nic is definitely a car guy because Nic and [William] Fichtner and Billy, these guys go on and on about the cars. So we had no choice but to do our r….

Just like in any other movie, too, we've had car troubles. We've had issues with weather. We've had issues with you name it. You can't predict this t….

Nic [Cage] is more than just a fantastic actor. He will get your movie made. The first thing that we did is that we went to producers and there were ….

There are moments, moments of fun but it's never necessarily a wink/wink. It's just interesting and odd and crazy things happen inside the world just….

That's where the inspiration was and so the more that you rewrite and the more you rewrite and the more the numbnuts are coming in to give you notes ….

So we have that, where there are moments where it's just Nic Cage and Amber Heard and you're in the car with them and it's not stuff flying at your f….

It's a weird partnership. For me and Patrick, if you've met him, we're not very much alike. But we bring such different tools to the table. He doesn'….

As long as we work within the budget and are responsible, which by the way it's amazing how many people aren't but we are. We've worked within the bu….

In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road mo….

I think longer that you sit on a screenplay the longer you sit. I'm a firm believer that you can write the magic out of a movie, out of a screenplay.….

It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we ….